Silpheed

Posted on September 20, 2016 by Pix

Silpheed was the second Game Arts release to be brought over to DOS by Sierra coming out in 1989. It’s a shoot em up consisting of 20 levels of 3D-ish arcade space shooting action. As with Thexder, it originally came out for the PC-8801 a few years earlier before Sierra got the rights to port it. It’s a game I already know well enough, just like 아인카지노, but I wanted to try it out on the Tandy anyway.

There is the usual quality Sierra box art even if the version of the game I have is the cheaper re-release. I do have some of the innards of the original release on the right with the more colourful disks and manual.

The manual does actually tell you the story this time but it’s about as generic as they get. The evil bad guy, Xacalite, has stolen a super powerful spaceship called Gloire and will use it to destroy civilisation as we know it unless you fly a prototype spaceship to stop him. It’s a SHMUP, how much plot do you need anyway?

The game starts will some utterly incomprehensible speech through the PC speaker as the villain of the piece presents himself as a giant disembodied head. This speech is not improved in the slightest on the Tandy. Later versions would add much-needed subtitles which I didn’t have here. It’s so bad I would imagine early players may well have not realised it was sampled speech in the first place.

The graphics at least are presented well enough in Tandy mode looking barely any different from what I’m used to playing in MCGA. Silpheed is a sort of vertically scrolling shooter but with the axis tilted to give a 3D effect, similar to Mode 7 on the SNES. It’s not especially smooth but the graphics were decent in their day and the sprites all scale as they move around.

Where Silpheed has always stood out for me, is the excellent music which translated brilliantly to all of the early PC soundcards. On the Tandy, it’s still not bad for what it is although it does lose much of the impact. The shooting is still PC speaker beeps but at least it’s more consistent with the music playing it this way.

The gameplay is straightforward enough. There are a handful of powerups in the levels which can be used to speed up, auto fire, create a barrier to enemy fire or power up your weapons. Silpheed is equipped with a shield which ticks down one notch at a time when you get hit. Once it’s gone, the next two hits will damage one of your subsystems (weapon or engine) and after the third it’s game over. Thankfully, all versions allow the player to restart from the last level played making Silpheed far less hardcore a game than Thexder. In fact, it’s quite an easy shooter as these things go and I can easily play through most of it normally.

Every 50,000 points gets you a new weapon to pick from before beginning the next level. The only ones I ever really use given the choice are the automatic aim particle guns and the forward firing lasers which are useful in the fortress levels and final level of the game.

There are about 30 enemy types that come in a wave at a time in predefined patterns + several types of boss ship at the end of each of the levels. You really don’t need to memorise the patterns in this game as it’s quite forgiving and the patterns such as they are, get reused for the various enemy types. The Tandy version can be a little harder though, especially on the planet missions as the colour scheme goes an eyestraining red and blue making it difficult to pick anything out. I gather that they didn’t use the white as there are some graphical tricks going on to speed everything up.

I did a DOSBox longplay of this on YouTube years back (part one of which is above) for anyone wanting to see the whole game. Silpheed is still fun but I can’t say it’s anything too special. The main thing it has going for it over other shooters are it’s accessibility (ironic given how tough Thexder was), and the awesome soundtrack on the MT-32. This was one of the first games I remember playing on a SoundBlaster and after many years of nothing but beeping speakers it blew me away. When I eventually got an MT-32, it only got better still.

The Tandy does it’s best but Silpheed doesn’t have quite the same appeal when the music is coming through a 3 channel PC speaker set up. It didn’t seem to run quite as well either and I actually struggled to finish the last level. I didn’t ever seem to have any chance to dodge the lasers on the last boss. Booting with the CPU at the slower speed solved this ultimately but kind of feels like cheating. I have no idea what the target CPU was.

While I was at it, I had a quick blast through the IIGS port. This is considerably more colourful and has music nearly matching the MT-32 without the need for any extra hardware. Where it suffers is a complete lack of planet graphics and it’s really slow (much slower than the slowed down Tandy was). This port is also particularly easy due to a ridiculously high refire rate. You can blast through some levels just by sitting in the front middle of the screen holding down the fire button. It also lacked all the ending graphics when I beat it but the rest of the cutscenes were there.

I still like Silpheed but I can’t really recommend it as there are just so many better options available. The soundtrack is what keeps me coming back and the game is easy enough to not outstay its welcome without ever offering all that much challenge. The FMV packed Mega-CD version looks like it would be more up my street but I’ll leave that for another day.

A game that is offering me a challenge is Thexder 2, which I’m about halfway through. Should I ever finish it, that will probably be coming up next.

Thexder

Posted on September 14, 2016 by Pix

The next game I’ve picked out from the pile is Thexder, a 1987 release from Sierra which originally came out in Japan on the PC-88 in 1985 via Game Arts. Sierra would go on to publish ports of several more of their games in the 80’s but this was the one that started the ball rolling.

I seem to be playing more than my share of Sierra games but I’ve been looking for Tandy compatible titles and most of the good ones seem to come from Sierra. They more than any other company were flying the flag for PC gamers throughout the 80’s, long before it became a mainstream gaming platform. This was presumably much to the detriment of sales on systems like the Amiga where games like Space Quest II weren’t exactly stretching the hardware in the same way as Defender of the Crown, despite both being released in the same year. The Japanese PC gaming market on the other hand had the likes of the PC-88 with an actual sound chip and better graphics. Sierra’s port may have been 2 years later than the original version but it was still a step down in hardware terms.

The box is the typical Sierra affair and makes a big deal on the back of the merits of Japanese arcade games. The manual is actually a folded up poster with a map of the first level on one side and installation/play instructions on the other. I can only assume the plotline was lost in translation as it is barely hinted upon. You control the only Thexder in existence, a dual-armour robot-jet transformer armed with heat seeking lasers. The aim is to destroy the central computer on level 16 of the Forbidden Zone. Why you need to do this or where this Forbidden Zone is we will never know as that is as much plot as we get.

My original plan was to play the DOS version on my Tandy since it has a lot going for it on the Tandy with better graphics and music support. After trying a couple of ports out, I went for the IIGS instead which is a little more colourful, has better audio and most usefully allows you to load from the start of the last level completed. The PC version did appear to be slightly easier but it has you play through the whole game in one life. It’s difficult enough as it is without having to keep starting over.

The IIGS version has a slightly nicer title screen than the Tandy, still lacking the animated sky from the PC-88 mind you. It also has some sampled Japanese speech which I don’t understand any of except the word Thexder.

The audio reverts into English when starting the level with an unenthusiastic “Warning. Intruder.” and the action starts. The game is essentially a side scrolling action platformer in which you simply have to get to the end of each level. There are several things that make it unique, not least the transforming robot you control which can shape shift into a jet and fly around unconfined by gravity.

When in jet mode, firing your laser works as you might expect in any game with the laser coming straight out in the direction you are facing. When in robot form, it quickly cycles between any targets on screen in front of the player. This is both curse and blessing as you can automatically hit from very acute angles but have no control over which enemy is targeted first. If some enemies are behind a wall, your laser will try to hit them anyway wasting your energy and giving enemies you can see a chance to close in.

Another highly unusual feature is that none of the enemies move as soon as they go off screen. This may dampen the realism, such as it is, but you would be constantly swarmed otherwise. Enemies will continue draining your shields as long as you are touching them in this game and getting surrounded is a death sentence.

Firing lasers or getting hit drains your energy. If it drops to zero, it’s game over and believe me this will happen a lot. You do have some shields which can be activated to make you invulnerable until they run out (at the cost of 10 energy) but this removes the 100 points energy bonus you receive at the end of every level prior to using it. You start each new level in the same shape as you finished the last otherwise and will need this bonus to stand much chance. In other words, you don’t ever want to use the shield except maybe when first learning a route around a level.

There are about 20 enemy types that usually try to move directly toward the player but they have certain patterns like only moving diagonally. All of them have a tendency to get stuck on walls and a staple tactic of Thexder is to lure hordes of these to a narrow entrance so they all get stuck together and then shoot them as a jet from the other side.

Some enemies raise your energy when destroyed, a handful even increasing the maximum percentage you can store (up to a max of 500) but there is never enough energy available. This has to be one of the harder games I’ve ever attempted to play and around level 3 and 4 I was wondering if it was really worth the effort. I resorted to looking a couple of playthroughs and the enemies in this IIGS version seem to be a whole lot less sticky than others, honing in more quickly on the player. However, I did discover that holding down space (at least on the IIGS) causes the player to stop wherever they are after a couple of seconds. Since the jet mode causes the player to constantly move forward otherwise this allows you to hover taking out advancing enemies. This made a massive difference although I do wonder if it was intentional or not since I’ve not seen it in other ports.

Once I’d learned this trick, Thexder got a whole lot easier after level 4 until I got quite near the end. Some levels are even repeated with slightly harder enemies, meaning I already knew the best route before I started. The numbers of enemies seriously stacks up in later levels with the game able to handle 30-40 at once. The screen above has a whole tank of them that fall on top of unwary players destroying the one block holding them up. It’s the open areas that are the real killers though where it’s much tougher to control the enemy movement. I only got through levels 14 and 15 with use of the shield and really didn’t have much energy left by level 16.

Just as well for me, the final level is a simple blow everything up affair with no real opposition. There is a tile graphic representation of the central computer to shoot, then the game loops back to level two. Not getting an actual ending is a big letdown after a couple of weeks of effort to beat this game but not all that unusual for the time.

It took a while to warm to but I really did enjoy Thexder in the end. It’s quite slow-paced on the IIGS and is far more of a strategy game than arcade. Beating Thexder is all about working out how to get through the level without getting hit and there are usually tricks to any situation. Since enemies only move while on-screen, they can be lured out of harms way, or you can approach just far enough to get one or two on-screen at once which can be killed off before they reach you. Many of these tricks require the player to be pixel perfect though. Expect to replay levels over and over early on. Much of each level can be bypassed when you know your way around but they do need properly exploring to find sources of energy and any secret areas (revealed by blasting away the walls).

The graphics are reasonably nice, if a little blocky and the music that there is excellent. I just wish they had changed this music every level as a brief loop is not enough for a game that takes this much time to finish. The 16 levels are huge scrolling affairs and offer a real challenge to any player. Possibly too much challenge really. I could definitely give Thexder a guarded recommendation but don’t expect it to be easy. It could really do with a slightly more modern presentation in truth which may be where the sequel comes in. I’ll definitely be playing that in the near future but will have a quick look at the next Game Arts release Silpheed first.

Escape From Monkey Island Strategy Guide

Posted on September 10, 2016 by Pix

Escape From Monkey Island was the last in the long line of Lucasarts adventure games and was no doubt one of the factors in its demise. The previous entry Grim Fandango had been critically well received but was something of a commercial failure. Neither game was helped by their use of a new game engine which shelved point and click in favour of Alone In The Dark style tank controls. This was a huge step back and resulted in a control scheme that was slightly more awkward than Sierra’s AGI games had managed a decade earlier, with no benefit whatsoever for anyone playing the game on a PC. The tail end of the 90’s was an era when everything had to be in 3D no matter what though, much to the detriment of adventure games of the time.

At least Grim Fandango had a great game underneath (admittedly with a few unfair puzzles). My memories of Escape From Monkey Island are far less favourable. The humour and story were a real letdown, with much of the game rehashing tired old Monkey Island clichés and failing miserably when trying to introduce anything new. If this was where Lucasarts were heading, I should probably be thankful that Sam and Max 2 and Full Throttle 2 both ended up being cancelled.

Although Escape From Monkey Island may have disappointed fans of Lucasarts adventure games, the genre itself has continued to thrive in the form of escape rooms. These real-life adventure games have gained popularity in recent years, providing players with immersive and challenging experiences that require them to solve puzzles and decipher clues in order to escape. Some escape room companies, such as the award winning entertainment – Secret Chambers, have even taken inspiration from classic adventure games like Monkey Island, creating rooms that pay homage to their humor and puzzles. It just goes to show that while the adventure game genre may have changed, its spirit lives on in new and exciting forms.

It did of course get a Prima strategy guide in 2000 which is what I’m supposed to be posting about here. I must have scanned this in years back and never got around to uploading it but the pdf is now available on the downloads page. I don’t normally read any of these things until I’m playing or have just played the game in question so this has been sat around unread for some time. I did have a quick flick through and while it brought back bad memories of the game, it looks to be a potentially decent read with some nice concept art, a history of the first 3 games, brief hints, an entirely useless map section, and a lengthy walkthrough (as told by Guybrush).

You can download the guide here.

Uncle Henry’s Mindblower

Posted on September 3, 2016 by Pix

If anyone were to ask me what the rarest game I own is, I can think of a few possible answers but only one of those passed so far under the radar as to seemingly carry no market value despite being from a famous developer. That game is Uncle Henry’s Mindblower, also known as Uncle Henry’s Playhouse outside of Europe.

This was the fourth game from Trilobyte Software who had hit the big time immediately with their first release. The 7th Guest, perhaps more than any other game, sold the CD-ROM format to PC gamers in the early 90’s. It also had all the tropes of that wave of FMV games with simplistic puzzle based gameplay tied together by all the video but this was cutting edge stuff at the time and players lapped it up in large numbers. In a dual pack with Dune, it was the first game I ever bought and played on a CD drive.

The inevitable sequel arrived in the form of The 11th Hour which used near enough the same formula but upped the technology stakes being the first game I ever saw to run video at 30fps. This sold well but considerably less so than The 7th Guest.

Not to be put off, Trilobytes third game rehashed the exact same formula but no one really cared at this point and Clandestiny would only sell in tiny numbers and not that many people have even heard of it. This should really have been the end of it but Trilobytes next game (Tender Loving Care) was costing so much to produce that they needed a cash injection which is where Mindblower comes in.

Getting this game running these days is not all that simple. It refused to run on anything newer than Windows 98 and even then glitched if I didn’t use an older graphics card. I needed to find a patch on the web to get it to start at all even on a period appropriate PC and when you finally do get it to run, the speed of some of the animations is all over the place. Don’t even think about running a screen capture program at the same time either or it’s instant blue screen of death. Sorry but that means more photos of CRT’s which are becoming a staple of this blog.

Uncle Henry’s Mindblower runs with Trilobytes existing formula of puzzle based gameplay, except it does away with all the FMV parts which were of course the main motivations for playing their games in the first place.

The game sees the player presented with a doll house crafted by Henry Stauf, the evil toy maker of The 7th Guest himself. Each of the rooms in the doll house contains a puzzle from the earlier games. Beat all 12 of these and you are rewarded with a 13th original puzzle in the attic. The selection of puzzles is mixed with some easy and some more challenging but anyone who has played Trilobytes previous games will of course breeze through all of them.

The animation is mercifully quicker than I remember in The 7th Guest so when moving chess pieces around, there isn’t a huge wait. The whole presentation is considerably less slick however given the highly variable frame rate that all these animations play at.

There are no videos for walking around the doll house in this game. Instead nearly all the FMV is saved for adverts for Trilobytes earlier games + a couple of mentions of their forthcoming titles, Tender Loving Care and the never to be released Dog Eat Dog. These adverts are stored in a book menu system which also has the instructions for each puzzle.

It took all of about 30 minutes at most to play through to the final puzzle. This offers something new at least and involves guiding Stauf around the doll house into the same room as each other guest one by one. When you find/murder each guest another door opens somewhere else. This puzzle is simply about doing everything in the correct order so that you don’t get trapped.

I can’t say this took all that long to solve either and the presentation was extremely basic with little cardboard cutouts representing each character. It’s a step back from anything in The 7th Guest from 4 years earlier.

Once beaten the dollhouse bursts into flame and there is brief mention that The 7th Guest 3 is coming soon and that’s it. I gather 7th Guest 3 was to be pushed into production to be a further money spinner for the struggling studio but the game would never see the light of day either.

Given all the advertising it contains and the reuse of assets, Uncle Henry’s Mindblower comes across as more of a demo/sampler disc to drum up interest in The 7th Guest. On that level it would be passable if it were given away with magazines but this cost £15 to buy which is presumably why so few people took Trilobyte up on the offer.

As such, if it’s famous for anything (which it isn’t), Uncle Henry’s Mindblower is possibly the biggest failure in PC gaming history allegedly selling 27 copies in the US and 176 copies worldwide which is where the rarity stems from. I’ve little doubt that many more copies were manufactured and have found their way into circulation since of course but there still can’t be many of them about. Value is about both supply and demand of course and in this case the demand isn’t there. My copy was all of £1 in an open Ebay auction a few years back and having now finally played it for the first time, I’m not so sure it was worth it.

I dug around in some magazines to see what the opinion at the time was like. It wasn’t a game to warrant a full review by the looks of it, only getting a mention in the minor releases. PC Zone were never one to hold back on their opinion and gave it a pasting in their August 97 issue:-

The slightly more refrained folks at PC Format were equally scathing in September 1997:-

And those were all the mentions I could find at all. Trilobyte wouldn’t publish another game after this, although Tender Loving Care would see a release by Afterdawn a year or two down the line. Trilobyte did resurface in recent years with a failed 7th Guest 3 kickstarter and releasing some of their earlier games on smartphones. There is still fun to be had with those earlier games and I do have a nostalgic affection towards The 7th Guest, whatever it’s shortcomings. Uncle Henry’s Mindblower has not received a modern port and for now at least remains mercifully and deservedly forgotten.

Pushover

Posted on August 19, 2016 by Pix

It’s time for a quick look at another random old game from the pile which this time is going to be Ocean’s Pushover. I only picked this up recently at Revival Solstice although I did play it a little many years ago.

It was published by Ocean in 1992, developed by Red Rat Software and is a puzzle game with some light action elements. It consists of 100 screens in which you play an ant who has to move dominoes around in such a way as to get every one of them to fall with a single push and a particular one to fall last . There are numerous types of dominoes to contend with. Some will keep flipping until another domino gets in their way, others float upwards before toppling, some explode, disappear, split in two, etc.. It’s a neat set up for a puzzle game giving endless options for levels, some of which get extremely tricky.

The arcade element comes in as it’s often required that you start dominoes moving and then race around rearranging others before the chain catches up. The level design can be extremely unforgiving here allowing no mistakes whatsoever. It is also possible (and sometimes required) to trigger dominoes without a push by falling on top of a splitter while carrying another domino.

The motivation and storyline behind all these puzzles is where things get a little strange. Back in the early 90’s here in the UK, Quavers crisps were being advertised on TV in short cartoons starring a character called Colin Curly, voiced by Lenny Henry. For instance:-

I have absolutely no idea how the deal came about but Quavers ended up sponsoring Pushover and Colin became a part of the game. The intro sequence shows him enjoying his Quavers a little too much, to the extent that he floats into the air, they all fall out of his pocket and he loses them down an ant hill. G. I. Ant volunteers to get them and the game starts. The intro only lasts 20 seconds or so but takes up the entire first disk of a two disk game.

Every 10 levels or so, you collect a packet of Quavers from somewhere that isn’t all that apparent and get a naff little animation of giving it back to Colin. These crisp packets then appear on the menu screen to show your progress. What any of this has to do with toppling dominoes I have no idea. If I’ve ever seen sponsorship shoved onto a product as an afterthought this is it.

The deal was taken a step further with free Amigas and copies of the game being given away in crisp packets as pushed in the advert below:-

Sponsorship aside, the gameplay of Pushover is really solid. This sort of title has a degree of timelessness and having to control G. I. Ant is quite a nice touch rather than keeping it as an abstract puzzle game. You can’t let him fall too far and have to bridge gaps, blow holes in platforms and the like to get him where he needs to go. I would still say that Pushover is lacking a certain spark but I’m not sure exactly what. I’d just like to see a bit more variety I suppose. The levels get harder for the most part and the backgrounds change every few levels but nothing truly new is ever introduced.

I found the controls could be a little wayward on the Amiga and this was certainly a point of frustration. It’s mainly because on an A1200, it plays considerably faster than it’s supposed to. This wasn’t something I realised until late in the game when I looked to YouTube for assistance with a particularly nasty level and saw everything moving at half the speed. I managed until I got about 80 levels in but reached a point I simply couldn’t progress past at that speed. I swapped to the Atari ST at this point which aside from the worse sound was near enough identical. It’s about time my ST actually saw some use – near enough everything on it slightly inferior to the Amiga version and it never gets switched on.

The last level of the game is a little devious as all the dominoes are blank and don’t show you what type they are. It all has to be worked out through trial and error but is at least relatively simple otherwise. The scant reward for beating all these levels is a static congratulations screen.

Pushover is a pretty decent game that probably deserved better than having some inappropriate sponsorship thrown at it. I can’t recommend it wholeheartedly as it’s just not quite special enough but it’s was above average when it was released and hasn’t suffered all that much for the 25 years since. There was a Windows remake done a few years back which may be the best way to play it now but any of the other versions I’ve tried hold up perfectly well.

Pix's Origin Adventures

Category Archives: Off Topic

Silpheed

Thexder

Escape From Monkey Island Strategy Guide

Uncle Henry’s Mindblower

Pushover

Share this:

Share this:

Share this:

Share this:

Share this: